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I'm sure he took a step back once in a while. Elaborating on the method, Carranza stated that "when van Gogh was around he wasn't just painting, painting, painting. In an interview, Carranza described the recording process for The Bedlam in Goliath stating that no more than three takes an hour were recorded, as a way to soak in what was recorded and to hear the differences, which in turn improved the general mood and atmosphere of the album's creation. Rodriguez-Lopez worked with Rich Costey to finish the album in a three-week stretch, assisted by Shawn Michael Sullivan and Claudius Mittendorfer as editors. Without a stable studio drummer after the three consecutive losses of Jon Theodore, Blake Fleming and Deantoni Parks in a single year, the band was introduced to then 24-year-old Thomas Pridgen, whose youthful presence-as described by Bixler-Zavala-had given The Mars Volta new life. Recorded and mixed at Ocean Way Studios in Hollywood and Rodriguez-Lopez's home studio in Brooklyn, New York, song material for The Bedlam in Goliath dates back to April 2006 when demos were first written.
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The recordings are a mixture from the Jewish quarter, the Muslim Quarter and the Christian Quarter. The song "Soothsayer" contains field recordings that Omar recorded in Jerusalem. Rodriguez-Lopez swore never to give away the location of the burial, and also asked the band not to speak of it again during the remainder of the album's production. Midway through the recording sessions, Rodriguez-Lopez broke "The Soothsayer" in half and buried it in an undisclosed location as an attempt to undo the curse and halt the unforeseen tragedies. Rodriguez-Lopez was on the brink of starting the recording from scratch, but eventually kept on after recruiting Robert Carranza as a replacement engineer, along with assistance from Lars Stalfors and Isaiah Abolin. You're trying to do something very bad with this record, you're trying to make me crazy and you're trying to make people crazy." The engineer who quit stated to Rodriguez-Lopez: "I'm not going to help you make this record.
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The more the band interacted with "The Soothsayer", otherworldly coincidences began plaguing the band's experience writing and recording The Bedlam in Goliath: Blake Fleming, their drummer at the time, quit mid-tour and left the band with financial troubles Bixler-Zavala wound up needing surgery performed on his foot due to the shoes he had been wearing, forcing him to relearn how to walk post-surgery audio tracks sporadically disappeared from the studio's harddrives Rodriguez-Lopez's home studio flooded and was subject to multiple power outages and the album's original engineer went through a nervous breakdown, leaving behind all previous work with no notes as to where anything was. Dubbed "The Soothsayer", the board revealed stories, gave names and made demands, as the band was contacted by three different people who appeared in the form of one, who was then referred to as "Goliath". They would return to their tour bus after shows to play with it during their 2006 tour with the Red Hot Chili Peppers, as it quickly became the band's post-show ritual. On a trip in Jerusalem, Rodriguez-Lopez purchased an archaic ouija-type talking board at a curio shop as a gift for Bixler-Zavala. The piece used for the cover is entitled "Agadez". Having previously contributed the artwork to the 2006 release of Amputechture, Jeff Jordan was again brought in to handle the illustrations for the album, creating 11 original paintings to coincide with the theme of The Bedlam in Goliath, as well as including a piece from his own gallery. "Wax Simulacra" won at the 51st Grammy Awards for Best Hard Rock Performance. Vinyl editions of the album include a ouija inside the gatefold, claimed to be the band's own take on the board they previously owned. " Wax Simulacra" was released on November 19, 2007, as the album's first single, coupled with a cover version of " Pulled to Bits", originally by Siouxsie and the Banshees. As of June 2009 it has sold 153,000 copies in United States. The album debuted at No. 3 on the Billboard 200, becoming the band's highest charting release after selling over 54,000 copies in its opening week. The album is their first to feature drummer Thomas Pridgen, and the last to include guitarist and sound manipulator Paul Hinojos, wind multi-instrumentalist Adrián Terrazas-González, and keyboardist Isaiah "Ikey" Owens. Produced by guitarist and songwriter Omar Rodríguez-López, the album's creation was subject to "bad luck controversy" after an experience with a ouija that Rodriguez-Lopez bought as a gift for vocalist Cedric Bixler-Zavala. The Bedlam in Goliath is the fourth studio album by American progressive rock band the Mars Volta, released on January 29, 2008, on Gold Standard Laboratories and Universal Motown Records.